Five middle-aged siblings crack jokes, argue politics, and mourn their recently deceased father over a bottle of Jameson in their childhood home. Ann, the oldest, reminisces about her star turn as Peter Pan at the local children's theatre fifty years ago, and now leads her siblings on one final journey to Neverland as they confront growing old and growing up.
BUY TICKETS
Recommended for ages 12+. Approximate run time is 90 minutes. There is no intermission.
Please note, this one-act play allows only one chance for late seating, at 15 minutes into the performance. Latecomers who arrive before then will be seated in easily-accessible seats.
Lively pre-performance discussions (and snacks!) provide a behind-the-scenes look into the play with Resident Dramaturg Gina Pisasale and a member of the cast. Add Scoop to your shopping cart for only $5 when purchasing For Peter Pan tickets, or purchase separately here.
April 17, April 24, May 8
An LED screen near the stage displays dialogue in real-time, simultaneous with live speech and action. No other aspect of the performance is altered.
April 30 at 7:30pm
May 1 at 2pm
May 2 at 7:30pm
May 3 at 7:30pm
May 4 at 2pm & 8pm
May 5 at 2pm & 7pm
Facilitated post-performance conversations with the cast after Thursday evening performances, excluding previews.
April 18, April 25, May 2, May 9
Dinner & A Show
Packages are available for prix fixe dinners prior to select Wednesday—Sunday performances, beginning at $82 for non-peak performances - up to 15% off the single ticket price.
Brunch Packages
Includes brunch at The Bistro paired with tickets to weekend matinees. Call the Box Office at 610.644.3500 to order.
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"[Ruhl] takes audiences into Neverland and shows the grieving siblings finding solace in the power of theatre and the imagination — a place where realities dissolve and time isn’t linear.""It's an excellent ensemble... Director [Abigail] Adams and her top-notch cast seamlessly guide the audience through Ruhl's story."
—Delco Culture Vultures
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"Ruhl has established herself as a sly master of subverting the expected.""Saunders imbues Ann with a wellspring of unforced levity."
"Tony Cisek’s slightly exaggerated sets, lighted by Dennis Parichy, capture the whimsical nature... Marla J. Jurglanis’s costumes allow the actors to shift effortlessly from real life to the realm of make-believe."
—Broad Street Review
